A two minute video on Skin In The Game and my process for developing it. info@sitg.com
CEC: Kevin you’ve dedicated your career to supporting BAME social entrepreneurs, but this fund is a new venture. Why now and how do you think it will make a difference to resolve the disparity of funds distribution? The confluence of Covid, Black Lives Matter Movement and the macro economic challenges ahead we have a once …
Several people have challenged my continued use of the term BAME. I remain ambivalent about this change. The fight to end the use of the BAME acronym seems won. A key recommendation from the government’s report by the Commission on Race and Racial Disparities (the Sewell Report) is to disaggregate the term BAME. Arts Council …
Article published on Arts Professional Huge energy has been expended by Arts Council England (ACE) on distributing the £1.7 billion Culture Recovery Fund (CRF). There is a clear need for this distribution of funds at pace: the money has provided life support to many large institutions that would have struggled to survive lockdown measures without …
A decade to change what should have changed decades ago I have been in discussion with Arts Council England, Esmée Fairbairn Foundation, Paul Hamlyn Foundation, Nesta and the British Film Institute (BFI) amongst others about Create Equity’s campaign to get the sector funding equitably (in proportion to the BAME population) by 2031. Based on today’s …
The kidnap and murder of Sarah Everard (like the murder of George Floyd) dominate the news and social media as it rightly sparks upset, the telling of personal stories, outrage, and calls for things to change. When you have a specific manifestation of any discrimination the calls to action sometimes overrides the deep-seated causes and …
In this 60 second video, I share the motivations behind my work. Each project is about cultivating human potential through personal development, community building and system change.
Before the Covid-19 pandemic, many BAME (Black, Asian and Minority Ethnic) creative entrepreneurs existed in an invisible space between the public and private sectors. Both sectors had consistently undervalued what they do.
Interview with Kevin Osborne for The Times, UK by James Hurley.
interview with The Voice Online, Kevin Osborne talks about the Open Letter to Arts Council
A few weeks ago I shared post on my Linkedin, exploring the concept of racial fluidity. This sparked quite a lot of interest and there were some stimulating responses, so much so that I am organising an informal group discussion about it in late February / early March. Here’s the LinkedIn post: “There is an …